Projects

Introduction

Alongside my work as an artist, mentor, and community facilitator, I have designed and delivered a range of creative wellbeing, research culture, community arts, and participatory projects. The projects below reflect my interest in creativity as a tool for connection, reflection, learning, and social change.

Selected Projects

Project at a Glance

Organisation: University College London (UCL)  

Project: RECENTRE 

Dates: 2025-2026 

Participants: Clinicians, researchers, practitioners, and experts by experience in maternal and child health 

Creative Methods Used 

  • Collaborative collage 
  • Values compass activities 
  • Creative token making
  • Co-production and participatory facilitation  

Focus Topics

  • Values-based collaboration 
  • Community building 
  • Co-production 
  • Research culture 
  • Interdisciplinary working  

RECENTRE: Imagining Futures Through Creativity and Co-Production

A co-produced creative facilitation project supporting reflection, relationship-building, and values-based collaboration within an interdisciplinary maternal and child health research programme. 

“The workshop was a big success and helped us to develop rapport as a team and establish open, mutually respectful working relationships. Everyone enjoyed themselves immensely.” 

Ros, Research team member, RECENTRE project

Introduction 

In December 2025 and January 2026, I designed and facilitated two creative workshops for the RECENTRE project at University College London (UCL)’s Institute for Global Health, bringing together researchers, practitioners, and people with lived experience involved in a co-produced research initiative focused on supporting pregnant and lactating people. 

The aim of the workshops was to create opportunities for reflection, connection, and collaborative thinking, while exploring the values that would help guide the project moving forward. Rather than relying solely on discussion, participants engaged with creative activities that encouraged conversations, curiosity, and collective meaning-making.  

Workshop 1: Imagining RECENTRE’s Future 

The first workshop used collaborative collage-making to explore hopes and aspirations for the project. 

Participants worked in small groups to imagine that five years had passed and a newspaper was reporting on RECENTRE’s success. Using images, words, and creative materials, each group created a shared collage representing the future they hoped to help build. The process encouraged discussion around motivations, interdisciplinary collaboration, meaningful change, and visions of a positive future.  

Groups then reflected on the stories emerging from their collages, identifying key themes and values embedded within their imagined futures.  

Workshop 2: Mapping Our Shared Values 

The second workshop explored the values underpinning effective collaboration and co-production. 

Using a values-based compass framework, participants reflected on the principles that would help guide the RECENTRE project. Small groups discussed values such as care, collaboration, creativity, respect, equity, and inclusion, before contributing their ideas to a collective values mural.  

Participants then created individual “values tokens” using creative materials. These small symbolic objects represented values they wished to carry forward into the project and served as tangible reminders of the commitments and aspirations emerging from the workshop.  

Approach 

Throughout both workshops, creativity was used not as an artistic end in itself, but as a tool for reflection, dialogue, and relationship-building. 

Activities were designed to be accessible regardless of artistic experience, with a focus on participation, conversation, and collective meaning-making. The workshops combined arts-based methods, co-production principles, and wellbeing-informed facilitation to create an environment where participants could reflect, connect, and contribute in different ways. 

Outcomes 

The workshops helped participants build relationships across disciplines, reflect on shared values, and begin developing a collective vision for the project. Feedback highlighted the value of creativity as a way of encouraging conversation, connection, and participation among people with different backgrounds and experiences. Participants particularly valued the opportunity to connect while making, explore shared values, and engage in meaningful discussions in a relaxed and supportive environment.  

Workshop participants described the creative activities as therapeutic, enjoyable, and effective at helping people feel like equal contributors within the project. Many reported leaving with a clearer understanding of the project’s vision, greater excitement about future collaboration, and increased confidence engaging with creative methods.  

Feedback 

“We hired Laura to design and deliver a two-part creative workshop for our interdisciplinary research group, which includes clinicians, academics, practitioners and experts by experience in the field of maternal and child health. This workshop served as the launch for a new project, and many of the attendees were meeting one another for the first time. Laura worked with us to develop a workshop that suited the needs and values of the project. Her experience in facilitating creative activities together with her familiarity with academic research and participatory approaches were invaluable in developing an engaging workshop this this unique group of people. To be accessible for the whole team, we also needed to offer online attendance, and Laura worked with us to make sure that everyone would feel engaged and included in the workshop, whether they were online or in the room. Some attendees were nervous to step outside of their comfort zone and be creative, but Laura’s warmth and calm guidance put everyone at ease. The workshop addressed personal and sensitive topics, which were well-suited to Laura’s people-centred and inclusive approach to facilitation. The workshop was a big success, and helped us to develop rapport as a team and establish open, mutually respectful working relationships. Perhaps most importantly, everyone enjoyed themselves immensely.” 

Ros, Research Team member, RECENTRE project 


Researcher Wellbeing & Research Culture

Over the past few years, I have designed and facilitated a series of arts-based wellbeing workshops for researchers and academic communities. These workshops used creative methods to create space for reflection, conversation, connection, and community-building in response to the unique challenges of research life.

Research can be deeply meaningful and rewarding, but it can also involve uncertainty, emotional demands, ethical dilemmas, heavy workloads, and professional isolation. My workshops offered opportunities for researchers to step away from the pressures of academic productivity and engage with creativity as a tool for reflection, wellbeing, and peer connection.

“I participated in one of Laura’s arts-based workshops with my colleagues. Laura made everyone feel comfortable and created a really relaxed and welcoming space. The activities were a great way to get people talking and helped open some really good conversations. Laura is a knowledgeable, thoughtful, and fun facilitator who clearly knows how to create the right space for people to engage.”

Workshop participant

Community-Building Collage & Card-Making Workshops 

Delivered at UCL’s Institute for Global Health and the School of Social and Political Science at the University of Edinburgh, these workshops used collage and creative reflection to explore research culture, celebrate strengths, and foster a sense of community among researchers. 

Activities included individual and collaborative collage-making, exploring experiences of academic life, identifying positive aspects of research culture, creating appreciation cards for colleagues, and reflecting on personal strengths and values. The workshops encouraged gratitude, self-reflection, and meaningful conversations between participants.

Feedback 

“Laura’s creative wellbeing workshop allowed me to reflect on my journey through academia in a non-judgemental, artistic, safe space. The unity I felt with my peers by sharing unique as well as common experiences was so valuable.”

Workshop participant

“The workshop was brilliant. I was totally immersed in the activity. It was really nice to use a more creative outlet for discussing our experiences as PhD students and ECRs.” 

Workshop participant

Collaborative Clay Workshops: Strength in Research 

Delivered at UCL’s Institute for Global Health, these interactive clay workshops invited researchers to explore both the challenges and strengths of academic life through tactile, hands-on making. 

Participants used clay to express experiences of research, reflect on their identities as researchers, and collaboratively create sculptures representing strengths, resilience, and support. Through making together, participants built trust, strengthened relationships, and developed a sense of collective resilience.

Feedback 

“It was cathartic, relaxing, fun, emotional and constructive. One of the highlights of my time at IGH.”

Workshop participant

“A really good way to connect with colleagues. It was really nice to share what we value in our colleagues and how they value us, as there often isn’t space to do that.”

Workshop participant

Body Mapping for Emotionally Demanding Research 

Delivered at UCL’s Institute for Global Health, this workshop was developed to support researchers working with sensitive subject matter and to explore the emotional demands of research more broadly. 

Using collaborative body mapping, participants worked together to explore how emotionally demanding research is experienced in the body and mind. Through collage, drawing, colour, symbolism, and discussion, researchers reflected on emotional labour, resilience, self-care, and peer support. The workshops provided a safe and supportive space for emotional processing, connection, and collective reflection.

Feedback 

“Laura ran an insightful body mapping workshop focused on emotionally challenging research. Her approach was sensitive, kind and thoughtful.” 

Workshop participant

“The use of mixed media created a safe, engaging, and even fun environment where I felt more comfortable opening up.”

Workshop participant

Project at a Glance

Organisations: University College London (UCL), University of Edinburgh

Dates: 2023-2025

Participants: PhD students and Early Career Researchers (ECRs)

Workshops Delivered 

  • Community-Building Collage & Card-Making Workshops 
  • Collaborative Clay Workshops: Strength in Research 
  • Body Mapping for Emotionally Demanding Research  

Themes 

  • Researcher wellbeing 
  • Research culture 
  • Community building 
  • Peer support 
  • Reflection and resilience 
  • Creative health 
  • Emotional wellbeing in research  



Project at a Glance

Project: PCOS: Participatory Creative Open Space 

Location: Folkestone, Kent 

Festival: OpenArtFolke 2024 

Exhibition: Sick of It, Fourth Wall Folkestone 
Dates: 2024 

Participants: People with lived experience of PCOS/PMOS

Supported by: PolyBiotics 

Creative Methods Used 

  • Body mapping 
  • Drawing and painting 
  • Collaborative art-making 
  • Participatory facilitation 
  • Creative storytelling 

Focus Topics 

  • Women’s health 
  • PCOS/PMOS
  • Lived experience 
  • Creative health 
  • Community building 
  • Peer support 
  • Health inequality 

PCOS: Participatory Creative Open Space

As part of OpenArtFolke 2024 and PCOS Awareness Month, I designed and facilitated a creative body mapping workshop for people with lived experience of Polycystic Ovary Syndrome (PCOS; now renamed Polyendocrine metabolic ovarian syndrome, PMOS), whether formally diagnosed or self-identifying with the condition. 

“Grey clouds of uncertainty, confusion, overwhelm. Green swirls of brain fog, spiralling out of control. Constantly having acne flare ups, like berries growing on a bush. Excessive cost, excessive hair growth. A weight on your chest – the heaviness of dealing with PCOS, and dealing with the doctors. Inflamed, and inflammation. On the one hand, constantly counting drugs; some GPs hand out more than others. On the other hand, they hand you blanket advice. A bloody mess – heavy diagnosis, heavy periods – or absent, unpredictable – it’s a mess. Bloating, indigestion? The zeds of chronic fatigue. A popping pain; popping pain killers. Thorns showing it’s a topic that hurts; a thorny issue, and constant questions can irritate you. A ball and chain, weighed down by always waiting… for doctors appointments; we feel the weight of the biological clock ticking; we all found out our diagnoses at different ages. We are rising from the ashes, constantly working hard to get out of the spiral.”

Descriptive text accompanying our co-created body map

Introduction

Drawing on my background in feminist global health research, creative participatory methods, and my own lived experience of PCOS/PMOS, the workshop created a safe and supportive space for participants to reflect on their experiences, connect with others, and explore personal and collective experiences of the condition through collaborative art-making. 

Body mapping is a participatory creative method that uses the body as a canvas for storytelling, reflection, and expression. Through discussion, drawing, painting, collage, and mark-making, participants explored the physical, emotional, and social dimensions of living with PCOS/PMOS. 

The Workshop 

The session brought together people with diverse experiences of PCOS/PMOS in a welcoming community setting in Folkestone. 

Participants worked collaboratively to create a large-scale body map representing shared experiences of the condition. Through creative discussion and making, the group explored themes including uncertainty, chronic fatigue, body image, healthcare experiences, fertility concerns, stigma, resilience, and self-advocacy. 

Alongside personal reflection, the workshop created opportunities for peer support and collective understanding, helping participants recognise common experiences and reduce feelings of isolation. 

Thanks to the generous support of PolyBiotics, all attendees were able to participate free of charge, ensuring that cost was not a barrier to taking part. 

A Body Map of PCOS 2024 

The collaborative artwork created during the workshop, A Body Map of PCOS 2024, was later exhibited as part of the “Sick of It” exhibition during OpenArtFolke 2024 at Fourth Wall Folkestone. 

Created collectively by the Hairy Cysters (Vikki, Elly R, Maz H, Detch, and Laura J Brown), the body map captures a complex and multifaceted experience of living with PCOS. 

Visual themes emerging from the artwork included: 

  • Brain fog and cognitive overwhelm 
  • Chronic fatigue 
  • Acne and excess hair growth 
  • Pain and inflammation 
  • Frustrating experiences with healthcare systems 
  • Concerns around fertility and diagnosis 
  • The emotional labour of managing a long-term condition 
  • Resilience, adaptation, and hope 

The project highlighted how creative methods can provide alternative ways of expressing experiences that are often difficult to communicate through words alone. 

Approach 

This project combined: 

  • Body mapping 
  • Participatory arts practice 
  • Creative health methodologies 
  • Peer support and community building 
  • Feminist and lived-experience-informed facilitation 

The workshop was designed to prioritise accessibility, shared ownership, and collective meaning-making, ensuring that all participants could contribute in ways that felt comfortable and meaningful to them. 

Outcomes 

The workshop created space for participants to share experiences that are often hidden or difficult to discuss, while fostering connection, validation, and mutual support. 

The resulting artwork provided both a personal and public expression of lived experience, contributing to wider conversations about women’s health, visibility, and wellbeing through art.


Mindful Arts N Crafts

Building creative confidence through accessible arts activities. 

“She has an incredible ability to inspire even the most reluctant learners, building confidence and self-esteem through creative expression.” 

Deputy headteacher, Birchwood Pupil Referral Unit

Over a two-year period, I designed and facilitated a regular programme of creative arts sessions at Birchwood Pupil Referral Unit in Cheriton, working with young people in a supportive educational setting. Across the programme, I delivered more than 50 sessions, introducing students to a wide variety of creative materials, techniques, and projects.

The sessions were designed to create opportunities for creativity, self-expression, confidence-building, and connection. Activities were intentionally accessible and flexible, allowing students to participate in ways that suited their interests, abilities, and energy levels. 

The Programme

The Mindful Arts N Crafts programme explored a wide range of creative processes, including: 

  • Painting and mixed-media art 
  • Air-dry clay sculpture 
  • Collage and printmaking 
  • Seasonal and celebratory crafts 
  • Personalised creative projects
  • Collaborative artwork 
  • Functional and decorative art-making

Students experimented with diverse materials while developing practical creative skills, confidence, and ownership over their work. Projects frequently incorporated choice and personalisation, encouraging students to explore their own ideas and creative identities.

Across the programme, young people created everything from collaborative canvases and personalised letters to clay sculptures, festive crafts, mini paintings, printmaking projects, keyrings, magnets, and decorative objects.

Approach 

My approach prioritised process over perfection. 

Sessions were designed to be engaging, flexible, and low-pressure, creating opportunities for students to experience creativity as a space for exploration, achievement, and self-expression rather than assessment. 

Activities were adapted to meet the needs of different groups and individuals, with an emphasis on accessibility, choice, creative confidence, and positive participation. 

Through regular sessions, students were able to build familiarity with materials, develop trust, and experience the benefits of sustained creative engagement over time. 

Outcomes 

The programme provided a consistent creative space where students could develop confidence, explore new skills, and experience success through making. 

Many students who found traditional classroom environments challenging engaged positively with the arts activities, often demonstrating focus, perseverance, creativity, and pride in their achievements. 

The long-term nature of the programme allowed relationships, confidence, and creative skills to develop gradually across multiple terms, creating opportunities for meaningful participation and personal growth. 

Feedback 

“Laura has been an exceptional presence in our school and an invaluable asset to our pupils. Working within a pupil referral unit, she has consistently demonstrated a deep understanding of the complex and diverse needs of our students, tailoring her art sessions with remarkable sensitivity, creativity, and care. 

She delivers a wide variety of engaging art sessions, introducing students to an impressive range of techniques and materials. Her sessions are always thoughtfully planned yet flexible, allowing pupils to explore, express themselves, and succeed at their own pace. 

She has an incredible ability to inspire even the most reluctant learners, building confidence and self-esteem through creative expression. 

Laura has a calm, patient, and nurturing approach. She creates a safe and inclusive environment where students feel valued, supported, and proud of their achievements. Many of our pupils who struggle to engage in traditional classroom settings thrive during Laura’s sessions, often showing focus, resilience, and enthusiasm that carries over into other areas of school life. 

Her work has had a lasting positive impact on our school community, and we cannot recommend her highly enough.” 

Deputy Headteacher, Birchwood Pupil Referral Unit 

Project at a Glance

Organisation: Birchwood Pupil Referral Unit, Cheriton 

Duration: Two years 

Sessions Delivered: 50+ creative arts sessions 

Dates: 2023-2026  
 
Creative Methods Used

  • Painting and mixed media 
  • Air-dry clay 
  • Printmaking 
  • Collage 
  • Seasonal crafts 
  • Collaborative art-making 
  • Creative personal projects

Focus Topics

  • Creative confidence 
  • Self-expression 
  • Accessibility 
  • Community building 
  • Wellbeing 
  • Skill development 


Project at a Glance

Organisation: UK-based charity

Participants: LGBTQ+ Staff Network

Format: Online workshop 

Duration: 45-60 minutes

Date: 2026 

Creative Methods Used 

  • Values Compass mapping 
  • Reflective writing and drawing 
  • Shared values mapping 
  • Group reflection 
  • Participatory facilitation

Focus Topics 

  • LGBTQ+ community building 
  • Values and identity 
  • Reflective practice 
  • Belonging 
  • Inclusion 
  • Psychological safety 
  • Peer support





Charity LGBTQ+ Staff Network Values Compass Workshop

Exploring individual and collective values through creative reflection

“It was a really enjoyable session where I appreciated the opportunity to slow down and think about our values together as a group. I also particularly liked the opportunity to be led in a session through some creative facilitation”

Workshop participant

Introduction

In 2026, I designed and facilitated an online Values Compass workshop for the LGBTQ+ Staff Network at a UK charity. The group brings together LGBTQ+ and questioning staff members for peer support, connection, and community, and wanted a reflective session exploring both individual and shared values.

The workshop created a gentle, low-pressure space where participants could pause, reflect on what matters to them, and consider the values that help them show up both as individuals and as members of a community. Sharing was always optional, with participants invited to engage in ways that felt comfortable and meaningful to them.

The Workshop 

The session introduced participants to the idea of a Values Compass, a reflective framework designed to support noticing rather than fixing, evaluating, or performing. Participants were encouraged to explore values through words, sketches, colours, symbols, or other forms of personal expression.

Using the compass framework, participants reflected on:

  • Guiding values – what shapes how they want to show up
  • Grounding values – what helps them feel safe and steady
  • Energising values – what gives them hope and momentum
  • Values needing care – what feels stretched or needs protection

The workshop then moved into a collaborative activity where participants contributed values to a shared group compass, creating a visual representation of the qualities that help members engage with and contribute to their community.

Approach 

The workshop was intentionally designed to feel reflective, accessible, and non-performative. 

Rather than encouraging participants to identify a single set of “correct” values, the session emphasised curiosity, noticing, and personal meaning-making. Activities were structured to accommodate different communication and learning styles, with participants able to engage visually, verbally, in writing, or simply through quiet reflection.

The Values Compass framework draws on principles from coaching, reflective practice, community facilitation, and creative wellbeing, creating opportunities for both individual insight and shared understanding.

Outcomes 

The workshop provided space for participants to reflect on what matters to them individually while also exploring areas of shared understanding within the group. 

The shared values activity encouraged participants to identify qualities that support belonging, connection, and engagement, helping make collective values visible without requiring consensus or conformity. The session balanced personal reflection with opportunities for community-building and mutual understanding.

Feedback 

“I very much appreciated the Values Compass session yesterday – Laura was a great coach with a very considerate and encouraging approach. The Values Compass itself is a great tool to reflect on why we do what we do, and what we want to work on more in the future to guide us. I also loved hearing about other members’ thoughts and ideas to further expand my own compass and fine-tune my values, and it was of course great to see that employees of a charity are very much driven by shared values such as community, compassion, or kindness. ” 

Workshop participant

“Laura was prepared and the session was smoothly facilitated. The topic and the reflective practices were engaging and particularly useful for us to consider our identity as a group.”  

Workshop participant


My Facilitation Approach

Across these projects, I use creative methods to support reflection, connection, participation, and wellbeing. Whether working with researchers, young people, community groups, or people with shared lived experience, my focus is on creating accessible, inclusive spaces where people feel able to contribute in ways that feel meaningful to them.